REVIEWS

Pure Kunst – Melbourne Fringe 2009

Sometimes Melbourne

Arts Hub

Buzzcuts

News Flash!
The Caravan of Love's was nominated for Innovative use of Form in Cabaret for "This is not a Shoe" in the 2008 Green Room Awards.

Kunst Ist Scheisse – Edinburgh Fringe Festival 2008

"4/5 Kunst Ist Scheisse (which means 'Art Is Shit', translation-fans!) is anything but."
http://edinburgh.threeweeks.co.uk/review/6156

Kunst Ist Scheisse - Melbourne International Comedy Festival, 2007

"½ This show is born of expert indulgence. Its players prowl like errant cats hand-reared by Kurt Weill solely on a diet of Sacher Torte crumbs served on Lalique saucers."
- full review at The Age

Kunst Ist Scheisse - Melbourne Fringe 2006

"This is my Fringe highlight to date and deserves many adoring fans."
- Aussie Theatre

"These ladies are every bit as balmy and intricately arousing as a bubble bath with Bertolt Brecht."
- full review at The Age

"This crazy performance is an all-involving, daring, sexy and extremely hilarious cabaret"
- Express Media

The Joker, The Melbourne International Comedy Festival, 2005

"Things looked up with the arrival of Caravan of Love, an act with four gutsy and gorgeous young women, a clear script, and some courageous performing."
- Hilary Crampton, The Age, 8 April 2005 - full review

General Media

"A group of gorgeous young women calling themselves The Caravan of Love have been presenting a monthly gig in Fitzroy, playing havoc with various dance forms in a riotous take on continental cabaret of the Cold War era. They make the most of cabaret's permissive tolerance, crossing boundaries of propriety and protocol less acceptable in other dance forms."
- Hilary Crampton, The Age, 27 December 2005

Caravan of Love, Kunst Ist Scheisse - Kabarett

"The sense of random order that permeates the performance resembles the chaos of Bloody Mess by the English theatre company Forced Entertainment, a show recently staged as part of the Melbourne Festival. The delight of this show however is that the entertainment is anything but forced. Somehow they manage to convey both sophistication and a refreshing innocence."
- Hilary Crampton, Melbourne Stage, 23 December 2005 - full review